Showing posts with label illustrator. Show all posts
Showing posts with label illustrator. Show all posts

Friday, February 11, 2011

Illustrator Maria Bogade: "Daydreaming"


Maria Bogade is an animation artist and children's book illustrator from Ludwigsburg in Germany. With tradeyourtalent she speaks about being a daydreamer, getting sidetracked and her favorite artists.

What are your themes in your work?

The themes vary a bit, but I think it is always a story I am telling and mostly there are kids involved. Sometimes fairytale themes sneak into an image, depending on the project I am working on. I really like to play with backgrounds and characters that are in action in some way. Sometimes I end up finding myself playing far to long on an environment and dreaming myself into the scene, but in the end I hope that helps my illustrations.

Where do you get your inspiration?

Life is the biggest source when it comes to getting inspired. Sometimes it's a scene you get to observe on the street or family and friends. Daydreaming is another big inspirational source. I've been a daydreamer for as long as I can remember. I often dream through a story over and over before drawing it to get a feeling for the characters and what the scene, I set the characters in, will look like. 

Did you ever want to do something else besides art?


Not really. I've always wanted to do arts in one way or the other. I got sidetracked, when thinking I would never be good enough, but in the end I ended up were I am now and I have to say, it is good. I struggle like every other artist with my art, never being satisfied, but that is the motor that keeps us going and growing.

Is it hard being an artist today?


I am not sure whether it really is hard. Of course there are a lot of talented people out there, but that is something I truely treasure as this can also be inspiring. I think if you work hard and have a style that serves the market you want to work in, you can make a living from it. Also the internet with all it's platforms to sell and promote your art is something that surely can help. I do see a lot of artists selling their artwork online and it seems to be working pretty fine for them. So maybe being an artist is just as hard or easy as it ever has been. 

Do you have favorite artists?


Yes I do, but I am so bad with names. I really like Shaun Tan's art and Oliver Jeffers'. But their are also artits like Christopher Denise, Alina Chau, Manu Arenas and many many more that inspire me and make me feel like I have a long way to go yet. And there are the old masters, that leave me with awe. John William Waterhouse, William Turner and Carl Spitzweg are three of my very favourite and I admire their gift, especially the way they dealt with light in their paintings. 

What are your current projects about?

One project though is an ongoing side project I do with Australian writer and poet Jennifer Poulter, a wonderfully talented person. Like most of my projects it is a picture book we are working on, that will be finished soon. The poem Jennifer wrote tells about life and leaves me with an enormous amount of freedom, when it comes to illustrating it and telling a story alongside the poem visually. I really enjoy it, as the story I get to tell in the illustrations is a little different to the one being told in the poem but they accomplish each other.







Wednesday, February 2, 2011

Illustrator Emily Grandin "Littering their imagination in a multitude of mediums"


Emily Grandin is an illustrator from Sweden. Her projects focus on the adorable characters Zoe and Dante, but she also developed some new characters while participating in Picture Book Idea Month (PiBoIdMo). With tradeyourtalent she speaks about exploring fantastical spaces, the unforgettable experience of taking part in the Sketch Book Project and why she doesn't really feel like an "artist from Sweden".



Your work looks really multifaceted. How come?
I don’t know, I guess it’s because I just draw what I love. My illustrations are filled with the things I want. I want to explore fantastical spaces and go on adventures, on the way there will be patterns and details and there will always be room for despicably sweet rabbits. I could bring up my studies in geology and architecture which have definitely played their part but when you get down to it, what I find irresistible is looking at something mundane and thinking how can I add adventure to this?

You are participating in the Sketch book project. What does this project mean to you?
I enjoy seeing how creativity thrives in the confines of limits, if for no other reason than to see how it drives people to stretch those limits. Some told stories, some took their books apart in a metamorphosis of sorts and some just filled them with all the delightful things that were littering their imaginations in a multitude of mediums. And to think it all started with a simple empty sketchbook! Beyond the obvious reasons like exposure, projects like this are great because at best they’re mini workshops, and like with workshops it’s an opportune way to find and connect with fellow creatives.
Where do you get your inspiration from?
When I was little I treasured the cross-sections in Barbapappa and Stephen Biesty's books, I would stare at them for hours. Later frank Miller and Tove Jansson’s art entered my life and I thought I want to draw like that. These days I still eye a lot of books but my resources of inspiration are more than I could justly name not least of all the wonderful wealth of art out there on blogs and digital portfolios.

What's it like being an artist in Sweden?
I like this question, right away it strikes me I don’t really feel like I’m an ‘artist in Sweden’. I assign much of my freelancing to the internet and the extraordinary ways it allows me to feel the pulse and connect with my market on an international level. That I live in Sweden feels like a footnote.


                                          Emily Grandin: http://escapeprocess.blogspot.com/




For more on Emily visit:

Friday, January 21, 2011

Friday Feature: Illustrator and Fine Artist John Malloy "Be willing to let go"


His work is practically a homage to pop art and unique in every way. John Malloy is not only an illustrator, he works on fine art, design and lately even started his own graphic novel "Queasy". Somehow it seems as though his work contains a hidden message, looking at his illustrations and fine art is like being on a scavenger hunt for me. 

Malloy was born in Pennsylvania, when he was six years old, he already knew he to become an artist. He has done other things besides art, but "all of them were
leading to what I do now", he says.

His advice for young artists: "Work, work, rework, and then keep going. Be willing to let go of old work and follow your instincts."

Malloy's work has been featured in many publications such as The Big Book of Contemporary Illustration and he has already illustrated musician interviews for the award-winning Lemon magazine.

 Definitely an artist-must-keep-in mind!

 
 
John Malloy: Weight Loss / Fine Art www.johnmalloy.com
 


John Malloy: Anima / Fine Art www.johnmalloy.com



 
John Malloy for Lemon Magazine
Bowie-Themed Sequential Interview, www.johnmalloy.com


For more on John Malloy visit http://johnmalloy.wordpress.com/
 

Sunday, January 16, 2011

Interview with Illustrator and Painter Susan Sorrell Hill: Fairy Tales and Magic

Susan Sorrell Hill is a painter and illustrator living in Northern California. Her artwork is quite magical in every way, just by looking at it you are drawn right into a fairytale. Currently she is working on a children's folktale "The Emperor's Pear Tree", the book will probably be published in the Spring of 2012.



                                                            www.susansorrellhill.com



Your work is often inspired by fairy tales? How do they inspire you and why?

I love fairy tales because most of them incorporate an element of Mystery, an indication that there is a lot more to Life than meets the eye, maybe more than we can ever know with our rational minds. And because there is this element of Mystery, an artist has a wider realm of imagination to work in. I have always been fascinated by the “archetypal Journey of Life”: the themes and patterns that appear all over the world and influence every personʼs life. In literature, these archetypes have been traditionally expressed in fairy tales and folktales, as well as in ancient myths. They also are expressed in the Tarot, and discussed in psychology texts. Because I love books even more than art-for-the-wall, I have gravitated--in this second half of my life--back to my first love, illustration for childrenʼs books.


What was your hardest work up until now?

The hardest work has been making the decision to focus on book illustration, rather than to make work solely for galleries. Despite all of the brilliant art that has been and is being done for books, illustrators are still usually seen as second-class artists, so I had to discover that I really loved illustration, before I could give up the fantasy and hope of being the toast of the New York gallery scene. At the same time, I made the difficult decision to return to watercolors and working small, and to put oils, which I had been working with for years, aside for the time being. After that, the way ahead looked clearer.


Why did you choose art?

I donʼt think that it was a choice. Making beautiful things has always been my best talent, no matter which medium I was working in. Iʼve painted large in other mediums, made jewelry, thrown pots, sculpted with handmade paper, painted on silk, sewn clothes, designed patterns for textiles and gift wrap, and probably some other things that Iʼve forgotten. In the end, it wasnʼt “to be or not to be an artist,” but just which medium to really focus on.

Did you ever want to do something else besides art?

As a pre-teenager, I wanted to be a Rock ʻn Roll singer (despite the fact that I couldnʼt sing, and was very uncomfortable in front of a crowd). Fortunately, that fantasy faded. I knew early on that making art was my calling, but if I would ever have considered anything else, it would have been working as a chef, a clothing designer or a gardener. I have enjoyed all of those in a tiny way in my personal life, but it seems that to be a really great illustrator, drawing and painting must become the primary creative focus.

Anything else? 

When I was in my twenties, working as a graphic designer and illustrator (before the digital era), my work was used for posters, ads, logos or business stationary. It was fun to see that work in print, and widely distributed. But I find working on a book project, especially with a text that Iʼve written myself, to be far, far more enjoyable and creatively challenging than any form or art for commerce. To be immersed in setting the stage, inventing the characters, and visually creating the ʻflowʼ of a book is deeply satisfying. A bit like playing ʻgod,ʼ perhaps! Finding oneʼs way in the book illustration field seems to take persistence, and perhaps some luck too. Iʼve learned that there are hurdles inherent on any path...perhaps especially on a artistʼs path, because creative work is such a personal thing. But in the end, the question that guides our choices has to be, “Do I love it?”















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