Showing posts with label California. Show all posts
Showing posts with label California. Show all posts

Sunday, May 6, 2012

Spring Blog Art Exhibition Susan Sorrell Hill - "Allowing an image to flow from one's heart"


Choices, change and introspection is only a small part of what describes her new work - Susan Sorrell Hill is a painter and illustrator full of surprise and magic. In this blog art exhibition on TYT she exclusively presents her new paintings and speaks about taking a break from blogging. Susan gives very personal insights about why she focussed on the themes fear, magic and change in her artwork this past year. Susan Sorrell Hill lives in Northern California.

Susan Sorrell Hill
You've been working on a series of new paintings this Spring. What kind of emotions did you have during this journey?

Susan: Iʼd spent the better part of the last two years working on the illustrations and dummies for two childrenʼs books that I wrote...and then taking various steps to bring them to the attention of publishers and agents. The childrenʼs publishing market is a confusing blend of change and chance these days, and most of the old routes to publication do not seem to apply anymore. So despite loving book illustration best of all forms of art, Iʼve not found my book illustration niche yet. I decided that it would be a good, sane idea to focus on more personal work for a while...to give my imagination a looser reign...and see where that led.

A friend pointed out that these eight new paintings seem to be addressing fear of one sort or another, and I suspect that she is right. When Iʼm not painting for a book project, the initial drawing for a painting evolves out of my stream of consciousness: Iʼm not trying to express a particular thought or storyline. However, things that are brewing in my own thoughts, dreams and feelings, as well as what Iʼve been reading about or observing in others makes its way into the drawings. Themes such as limitation, obstacles, choices, change and introspection are common in my work, and a lot of that comes out of the uncertainty of ʻart as a career.ʼ
Susan Sorrell Hill

Essentially dream images, these paintings can be interpreted in many different ways. I like this way of working very much, and am frequently surprised at the images that come through. They often tell me a story that I didnʼt even know I was thinking about. And though the style of these non- book paintings is very much like an illustration, I think that they have more depth and layers of meaning than an illustration that is specific to a particular storyline.
Susan Sorrell Hill
My favorite artists have all been illustrators, not large-scale oil painters, so perhaps it is natural that my favorite way of working has come to be works on paper that are intimate in size...and images that seem to tell a story, though that story may remain mysterious.

What role does the word "choice" and "journey" play in your artwork?

Susan: I suppose that you could say that I am an introvert at heart...and that contemplation has played more of a role in my life than physical activities. Consequently, I am fascinated by the world literature and philosophies that explore the inward Journey of Life, which is ultimately about the growth of a personʼs Soul. Iʼm drawn to things like Jungian psychology and archetypes, symbolism, the Tarot and Rune oracles, and all things ancient, myth and fairytale...because all of these, in their particular way, are expressing universal truths, obstacles and lessons that apply to every individualʼs life. On this Journey, choices have far-reaching consequences, and circuitous routes to our mysterious destinations are common. I hope to express some of all of this in my imagery...it seems important somehow to make visual symbols out of such deep subjects.
Susan Sorrell Hill
Your new work also shows some of your characters in fear... in one painting you can see shadows trying to take a hold of something. What do your characters experience in your paintings? 

Susan: Perhaps it is not so much Fear that is expressed in my work, as it is an exploration of fearful situations...and the equanimity (or lack of) with which fear can be faced and mastered. In one painting, shadows seem to express the fact that demanding or threatening or shaming voices will always be around, and there is no rest unless one leaves the room! In another, a small, beautiful tree thrives in the very center of an overbearing environment. And in another, a man runs across deep water, safely oblivious to the toothy creatures nipping at his heels and swimming below. He seems to carry some sort of guardian creature on his shoulder. I suppose you could say that my characters are wrestling with the issues that Life presents.

Susan Sorrell Hill
Magic and art... do you see a connection?

Susan: I came across a quote years ago about the idea that words are the most powerful form of magic (it may have been Starhawk?), and I see that this idea has now been incorporated into the last Harry Potter movie, Harry Potter and The Deathly Hallows, Part Two, spoken by the wizard-professor, Albus Dumbledore. He said, “Words are our most inexhaustible source of magic.”
Now certainly there is truth in this idea, but I would expand it a bit more, and say that symbols (of which art is comprised) are the most powerful form of magic...because symbols (and words are symbols too) have the power to change consciousness, for better or worse. Joseph Campbell, the American mythologist, writer and lecturer, explored this viewpoint extensively.
Susan Sorrell Hill
Susan: I have always thought that artists could (should?) best honor their gifts by putting positive symbols, positive magic into the world, rather than adding to the darkness that is already here. I think that I am attracted to fairytales because these tales imply that, despite the darkness, there is always a hidden path, protection and guidance, and a positive outcome to life, if only one does her very best and perseveres.

Susan Sorrell Hill
On the purely material level, allowing an image to flow from oneʼs heart, oneʼs unconscious thoughts and feelings, oneʼs dreams absolutely feels like Magic, even before anyone else ever reacts to the artwork. What else could the creative impulse be called but magic?

 A while back you took a break from blogging. What was it like?
 
This digital era has brought the new Social Networking wave too: Facebook, Twitter and blogging seem to have suddenly become part of every serious artist’s career plan. But being technologically-challenged, I was very adverse to the idea of writing a blog. Then I saw the movie, Julie and Julia (“Julia Child's story of her start in the cooking profession...intertwined with blogger Julie Powell's 2002 challenge to cook all the recipes in Child's first book”) and thought well, maybe I could offer some fruits of all of my contemplation and reading, and show my artwork as well. Who knows what showing up beyond the reaches of my little town could bring?

I do like design and beauty very much, so putting together a blog (and a website) is very artistically satisfying. And I do like putting words and pictures together, being a story- lover at heart. Once I launched my new blog, Dream & Vision: life through the eyes of an artist, I was pleasantly surprised by all the positive appreciation and wonderful connections with readers and artists all over the world!

But blogging and social media take a lot of time to do well and consistently...and so far, I have not found them to be very useful in practical terms. Perhaps it gathers momentum? For me personally, blogging weekly is way too much time spent in front of a computer screen, and it takes me away from what I really love: drawing and painting. I’m finding a better balance now by posting great career news flashes, plus writing once in a while just for fun. Of course, “balance” is a flexible thing by nature, so my blogging activity could be different in the future!

Susan Sorrell Hill
Thank you for asking all of these interesting questions, Susanna, and for posting my words and artwork once again on your wonderful site, Trade Your Talent.

My first interview with Susan Sorrell Hill, from January 2011
Susan's website 
Susan's blog Dream and Vision

Wednesday, May 2, 2012

Brooks Salzwedel "A moment either in the past or the future"

I stumbled upon Californian artist and accessories designer Brooks Salzwedel's work a couple of weeks back and I was immediately captured by his unique style. His work is deeply influenced by the conflict of human development and nature.
Brooks work can be seen in the New York Times, Juxtapoz, ArtReview, New Angels, and NY Arts, he has shown at several galleries throughout the West Coast, such as OKOK Gallery in Seattle, and most recently The Hammer Museum. Currently he is also assistant director at George Billis Gallery in Los Angeles. 


Brooks Salzwedel

In your work you can often see bridges and nature. What inspires you to your artwork? 

Most of my work is taking a moment either in the past or the future where nature has taken over. The fight between human development and nature has always caught my interest. From grant mountain ranges to towering buildings in construction with cranes and scaffolding around it.

Brooks Salzwedel


Brooks Salzwedel

What kind of projects are you currently working on? 

I  recently had a show at George Billis Gallery in Los Angeles. That's been taking most of my time. I'm also an assistant director at the gallery and I run a line of handmade belt buckles called "Shane."


Brooks Salzwedel

If you could give advice to young aspiring artists, what would you tell them? 

Have a pretty clear idea of what kind of artist you want to be (entertainment, commercial, fine art, etc) and know your audience. Have idea of what company you want to work for or what gallery you want to show in and focus on those...don't settle for less.

"Salzwedel makes landscapes for a world in which nature is under siege. Still, that doesn't mean his pictures appear post-apocalyptic. They are beautiful in a bittersweet way, the dark trunks and branches looking tapestry-like within their resin-coated surfaces. The mood is autumnal." 
- Robert L. Pincus, Art Critic, San Diego Union-Tribune


Brooks Salzwedel

More info on Brooks Salzwedel
Currently on view Brooks @



Saturday, July 30, 2011

A magical donation for our Bakhita Girls fundraiser: paintings by Susan Sorrell Hill

I'm so happy to announce that Susan Sorrell Hill is one of the first artists to donate five paintings for the Bakhita Girls fundraiser, which will help provide scholarships for young mothers and underprivileged girls to attend secondary schools in Ifakara, Tanzania. Susan is an artist and illustrator from Northern California. Her paintings tell universal stories, and are inspired by the literature of humankinds’ patterns: fairy tale, myth, and oracles of all types. It is always a treat to visit Susan's wonderful blog, Dream & Vision.  Susan was one of the first artists I interviewed on TYT and I'm happy to say that since then we've exchanged so many creative ideas and have even become friends. Susan recently submitted her cover art "The Girl with Silver Hands" to the Uncovered Cover Art Blog, a blog where you can vote for your favorite cover art! Also have a look at the TYT interview about Susan's art: "Fairy Tales and Magic"  Thanks again Susan for your kind donation! Here you can find more info about the fundraiser, if you'd like to donate just contact me via email -susanna@tradeyourtalent.de .


Here are the five wonderful paintings Susan donated: 


Susan Sorrell Hill

Susan Sorrell Hill

Susan Sorrell Hill

Susan Sorrell Hill

Susan Sorrell Hill
For more of Susan's art 

Sunday, February 20, 2011

Alina Chau "Daring creativity and passion"




Alina Chau is a 3D story artist at LucasFilm. Alina's blog "Ice-Cream Monster Toon Cafe"  is a really nice place to visit, here you can see how she works on her sketches and develops her ideas. Alina's art is also shown in galleries, exhibitions and children picture books in California. 

Did you always know you were going to be an artist?

No.  I wanted to be a rocket scientist as a little kid, but I always loved art.  I didn't figure out my life time career until I went to college.  

If you could choose an old master to work with, who would it be?

I have a long list of old masters, who I admire and often seek inspiration ... that would be a difficult choice.  But, if I have to pick one, I would say Pablo Picasso for his daring creativity and passion in art.

What is the hardest part of art?

Developing new ideas that are unique and challenging myself each time I create a new piece.

Do you have special ways or a routine to get inspired?

I tend to get inspiration from everyday life and personal experience.  But with that being said, like many artists, I get inspired by other artists' wonderful work, music, books, photos ... pretty much anything that intrigues me and invokes my emotion.


                                          
                                                             Alina Chau, http://alinanimation.blogspot.com/



Sunday, January 16, 2011

Interview with Illustrator and Painter Susan Sorrell Hill: Fairy Tales and Magic

Susan Sorrell Hill is a painter and illustrator living in Northern California. Her artwork is quite magical in every way, just by looking at it you are drawn right into a fairytale. Currently she is working on a children's folktale "The Emperor's Pear Tree", the book will probably be published in the Spring of 2012.



                                                            www.susansorrellhill.com



Your work is often inspired by fairy tales? How do they inspire you and why?

I love fairy tales because most of them incorporate an element of Mystery, an indication that there is a lot more to Life than meets the eye, maybe more than we can ever know with our rational minds. And because there is this element of Mystery, an artist has a wider realm of imagination to work in. I have always been fascinated by the “archetypal Journey of Life”: the themes and patterns that appear all over the world and influence every personʼs life. In literature, these archetypes have been traditionally expressed in fairy tales and folktales, as well as in ancient myths. They also are expressed in the Tarot, and discussed in psychology texts. Because I love books even more than art-for-the-wall, I have gravitated--in this second half of my life--back to my first love, illustration for childrenʼs books.


What was your hardest work up until now?

The hardest work has been making the decision to focus on book illustration, rather than to make work solely for galleries. Despite all of the brilliant art that has been and is being done for books, illustrators are still usually seen as second-class artists, so I had to discover that I really loved illustration, before I could give up the fantasy and hope of being the toast of the New York gallery scene. At the same time, I made the difficult decision to return to watercolors and working small, and to put oils, which I had been working with for years, aside for the time being. After that, the way ahead looked clearer.


Why did you choose art?

I donʼt think that it was a choice. Making beautiful things has always been my best talent, no matter which medium I was working in. Iʼve painted large in other mediums, made jewelry, thrown pots, sculpted with handmade paper, painted on silk, sewn clothes, designed patterns for textiles and gift wrap, and probably some other things that Iʼve forgotten. In the end, it wasnʼt “to be or not to be an artist,” but just which medium to really focus on.

Did you ever want to do something else besides art?

As a pre-teenager, I wanted to be a Rock ʻn Roll singer (despite the fact that I couldnʼt sing, and was very uncomfortable in front of a crowd). Fortunately, that fantasy faded. I knew early on that making art was my calling, but if I would ever have considered anything else, it would have been working as a chef, a clothing designer or a gardener. I have enjoyed all of those in a tiny way in my personal life, but it seems that to be a really great illustrator, drawing and painting must become the primary creative focus.

Anything else? 

When I was in my twenties, working as a graphic designer and illustrator (before the digital era), my work was used for posters, ads, logos or business stationary. It was fun to see that work in print, and widely distributed. But I find working on a book project, especially with a text that Iʼve written myself, to be far, far more enjoyable and creatively challenging than any form or art for commerce. To be immersed in setting the stage, inventing the characters, and visually creating the ʻflowʼ of a book is deeply satisfying. A bit like playing ʻgod,ʼ perhaps! Finding oneʼs way in the book illustration field seems to take persistence, and perhaps some luck too. Iʼve learned that there are hurdles inherent on any path...perhaps especially on a artistʼs path, because creative work is such a personal thing. But in the end, the question that guides our choices has to be, “Do I love it?”















Wednesday, January 12, 2011

Interior designer Kate Pruitt "Insight and Courage"

Kate Pruitt is an artist and contributing editor to Design*Sponge, a daily website with 65,000 daily readers, dedicated to home and product design.  With tradeyourtalent she speaks about her passion for art history and how her perfect interior design would look like. Kate grew up in New Hampshire and now lives in California.



      Kate's DIY project: Notebook lunchbag 


How does the perfect home design look like for you?


I can't say I have a perfect home design, because my tastes are always changing and there are so many homes designs I love that are incredibly varied from one another. At this very moment, I would say my idea of a perfect home would be something semi-industrial, maybe a loft of some kind, with wood floors, a few brick walls, and a very open floor plan. I've enjoyed the time I've spent in my cozy 1920's apartment, but I am beginning to feel limited by the small rooms and the excessive decorative molding. As someone who loves to change things around and build different things, the perfect home design for me would be somewhat gallery-like. You could always be playing around with furniture, wall decor, and lighting, and large sculptural pieces would feel at home in the space. Throw in good natural light and a working fireplace somewhere, and that's heaven for me.


What does creativity mean to you?

Creativity to me is a combination of insight and courage. Coming up with an inventive idea is useless if you never do anything with it. It takes a certain fearlessness to experiment with new materials or follow through on a seemingly crazy idea. I think this drive is what fuels creative productivity, and I am constantly in awe of the courageous designers working in the field today.

Where do you get your inspiration?

 I am originally a painter by trade, so I like to look at art history, visit museums and galleries, and keep up with all the emerging artists who share their work online. I also find inspiration in all kinds of objects and materials, and I think it's really fun to go to a large hardware store, thrift shop, or art supply store and just examine everything. 



What kind of advice you would give to young artists, who are only starting out?


I would say two things. First, get yourself out there! The internet is the most amazing forum for getting yourself heard and your work seen, and it works very symbiotically. If your work is high quality and unique, it will naturally get the most buzz; good ideas are usually rewarded with good press. Second, presentation is EVERYTHING. We receive thousands of emails a day at Design*Sponge and we have to be tough editors. If we receive bad photos, or worse yet —no photos— we're probably going to pass on that submission. Be sure to get good images of your work—consider the lighting, the styling, everything—and be professional in your submission emails. Good images are your golden ticket to success in the world of design blogs.






Kate's uncommon valentine designspongeonline.com/



Kate's book strap side table  designspongeonline.com/


For more of Kate's work visit:katepruitt.blogspot.com

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