Sunday, May 6, 2012

Spring Blog Art Exhibition Susan Sorrell Hill - "Allowing an image to flow from one's heart"


Choices, change and introspection is only a small part of what describes her new work - Susan Sorrell Hill is a painter and illustrator full of surprise and magic. In this blog art exhibition on TYT she exclusively presents her new paintings and speaks about taking a break from blogging. Susan gives very personal insights about why she focussed on the themes fear, magic and change in her artwork this past year. Susan Sorrell Hill lives in Northern California.

Susan Sorrell Hill
You've been working on a series of new paintings this Spring. What kind of emotions did you have during this journey?

Susan: Iʼd spent the better part of the last two years working on the illustrations and dummies for two childrenʼs books that I wrote...and then taking various steps to bring them to the attention of publishers and agents. The childrenʼs publishing market is a confusing blend of change and chance these days, and most of the old routes to publication do not seem to apply anymore. So despite loving book illustration best of all forms of art, Iʼve not found my book illustration niche yet. I decided that it would be a good, sane idea to focus on more personal work for a while...to give my imagination a looser reign...and see where that led.

A friend pointed out that these eight new paintings seem to be addressing fear of one sort or another, and I suspect that she is right. When Iʼm not painting for a book project, the initial drawing for a painting evolves out of my stream of consciousness: Iʼm not trying to express a particular thought or storyline. However, things that are brewing in my own thoughts, dreams and feelings, as well as what Iʼve been reading about or observing in others makes its way into the drawings. Themes such as limitation, obstacles, choices, change and introspection are common in my work, and a lot of that comes out of the uncertainty of ʻart as a career.ʼ
Susan Sorrell Hill

Essentially dream images, these paintings can be interpreted in many different ways. I like this way of working very much, and am frequently surprised at the images that come through. They often tell me a story that I didnʼt even know I was thinking about. And though the style of these non- book paintings is very much like an illustration, I think that they have more depth and layers of meaning than an illustration that is specific to a particular storyline.
Susan Sorrell Hill
My favorite artists have all been illustrators, not large-scale oil painters, so perhaps it is natural that my favorite way of working has come to be works on paper that are intimate in size...and images that seem to tell a story, though that story may remain mysterious.

What role does the word "choice" and "journey" play in your artwork?

Susan: I suppose that you could say that I am an introvert at heart...and that contemplation has played more of a role in my life than physical activities. Consequently, I am fascinated by the world literature and philosophies that explore the inward Journey of Life, which is ultimately about the growth of a personʼs Soul. Iʼm drawn to things like Jungian psychology and archetypes, symbolism, the Tarot and Rune oracles, and all things ancient, myth and fairytale...because all of these, in their particular way, are expressing universal truths, obstacles and lessons that apply to every individualʼs life. On this Journey, choices have far-reaching consequences, and circuitous routes to our mysterious destinations are common. I hope to express some of all of this in my imagery...it seems important somehow to make visual symbols out of such deep subjects.
Susan Sorrell Hill
Your new work also shows some of your characters in fear... in one painting you can see shadows trying to take a hold of something. What do your characters experience in your paintings? 

Susan: Perhaps it is not so much Fear that is expressed in my work, as it is an exploration of fearful situations...and the equanimity (or lack of) with which fear can be faced and mastered. In one painting, shadows seem to express the fact that demanding or threatening or shaming voices will always be around, and there is no rest unless one leaves the room! In another, a small, beautiful tree thrives in the very center of an overbearing environment. And in another, a man runs across deep water, safely oblivious to the toothy creatures nipping at his heels and swimming below. He seems to carry some sort of guardian creature on his shoulder. I suppose you could say that my characters are wrestling with the issues that Life presents.

Susan Sorrell Hill
Magic and art... do you see a connection?

Susan: I came across a quote years ago about the idea that words are the most powerful form of magic (it may have been Starhawk?), and I see that this idea has now been incorporated into the last Harry Potter movie, Harry Potter and The Deathly Hallows, Part Two, spoken by the wizard-professor, Albus Dumbledore. He said, “Words are our most inexhaustible source of magic.”
Now certainly there is truth in this idea, but I would expand it a bit more, and say that symbols (of which art is comprised) are the most powerful form of magic...because symbols (and words are symbols too) have the power to change consciousness, for better or worse. Joseph Campbell, the American mythologist, writer and lecturer, explored this viewpoint extensively.
Susan Sorrell Hill
Susan: I have always thought that artists could (should?) best honor their gifts by putting positive symbols, positive magic into the world, rather than adding to the darkness that is already here. I think that I am attracted to fairytales because these tales imply that, despite the darkness, there is always a hidden path, protection and guidance, and a positive outcome to life, if only one does her very best and perseveres.

Susan Sorrell Hill
On the purely material level, allowing an image to flow from oneʼs heart, oneʼs unconscious thoughts and feelings, oneʼs dreams absolutely feels like Magic, even before anyone else ever reacts to the artwork. What else could the creative impulse be called but magic?

 A while back you took a break from blogging. What was it like?
 
This digital era has brought the new Social Networking wave too: Facebook, Twitter and blogging seem to have suddenly become part of every serious artist’s career plan. But being technologically-challenged, I was very adverse to the idea of writing a blog. Then I saw the movie, Julie and Julia (“Julia Child's story of her start in the cooking profession...intertwined with blogger Julie Powell's 2002 challenge to cook all the recipes in Child's first book”) and thought well, maybe I could offer some fruits of all of my contemplation and reading, and show my artwork as well. Who knows what showing up beyond the reaches of my little town could bring?

I do like design and beauty very much, so putting together a blog (and a website) is very artistically satisfying. And I do like putting words and pictures together, being a story- lover at heart. Once I launched my new blog, Dream & Vision: life through the eyes of an artist, I was pleasantly surprised by all the positive appreciation and wonderful connections with readers and artists all over the world!

But blogging and social media take a lot of time to do well and consistently...and so far, I have not found them to be very useful in practical terms. Perhaps it gathers momentum? For me personally, blogging weekly is way too much time spent in front of a computer screen, and it takes me away from what I really love: drawing and painting. I’m finding a better balance now by posting great career news flashes, plus writing once in a while just for fun. Of course, “balance” is a flexible thing by nature, so my blogging activity could be different in the future!

Susan Sorrell Hill
Thank you for asking all of these interesting questions, Susanna, and for posting my words and artwork once again on your wonderful site, Trade Your Talent.

My first interview with Susan Sorrell Hill, from January 2011
Susan's website 
Susan's blog Dream and Vision

Wednesday, May 2, 2012

Brooks Salzwedel "A moment either in the past or the future"

I stumbled upon Californian artist and accessories designer Brooks Salzwedel's work a couple of weeks back and I was immediately captured by his unique style. His work is deeply influenced by the conflict of human development and nature.
Brooks work can be seen in the New York Times, Juxtapoz, ArtReview, New Angels, and NY Arts, he has shown at several galleries throughout the West Coast, such as OKOK Gallery in Seattle, and most recently The Hammer Museum. Currently he is also assistant director at George Billis Gallery in Los Angeles. 


Brooks Salzwedel

In your work you can often see bridges and nature. What inspires you to your artwork? 

Most of my work is taking a moment either in the past or the future where nature has taken over. The fight between human development and nature has always caught my interest. From grant mountain ranges to towering buildings in construction with cranes and scaffolding around it.

Brooks Salzwedel


Brooks Salzwedel

What kind of projects are you currently working on? 

I  recently had a show at George Billis Gallery in Los Angeles. That's been taking most of my time. I'm also an assistant director at the gallery and I run a line of handmade belt buckles called "Shane."


Brooks Salzwedel

If you could give advice to young aspiring artists, what would you tell them? 

Have a pretty clear idea of what kind of artist you want to be (entertainment, commercial, fine art, etc) and know your audience. Have idea of what company you want to work for or what gallery you want to show in and focus on those...don't settle for less.

"Salzwedel makes landscapes for a world in which nature is under siege. Still, that doesn't mean his pictures appear post-apocalyptic. They are beautiful in a bittersweet way, the dark trunks and branches looking tapestry-like within their resin-coated surfaces. The mood is autumnal." 
- Robert L. Pincus, Art Critic, San Diego Union-Tribune


Brooks Salzwedel

More info on Brooks Salzwedel
Currently on view Brooks @



Tuesday, April 24, 2012

Is this digital world stealing our time, our inspiration?

I had this weird writers block these
past few weeks - I feel inspired - but I still don't know what to write
about and where to start. There is so much inspiration and creativity I see everywhere, but once I sit at the computer, there is just a
white screen glaring at me, blinking.

I thought about it for a while and I realized,it must be an overflow of
information, never really a moment of silence around you and everything moving
fast. Pacing to work, running to grab lunch, writing a massive amount of
emails and at the end of the day not even remembering who I was
really communicating with.

Is this digital world stealing our
time, our inspiration? Those moments where we just log off, go outside
for a walk and stare at the sky? Where we figure out where our next creative journey will take us? Where we don't think about "Oh, I could use that for my blog". Where we just feel inspired without having to turn it into anything. Where we just let our thoughts travel?

So where does this all leave our creative thoughts, our inspiration?

Maybe we should just have one day in the week, where we
turn everything off, grab a piece of paper and pen - an no, the app which provides you with a virtual notepad does not count - and just write
down or sketch our thoughts.

And then the hardest part- we won't post these thoughts to our blog, we won't tweet them, we won't share or like them- we will just let our thoughts travel in time.

Letting our thoughts travel 

Sunday, March 4, 2012

Leah Piepgras: "Proof of the soul"

Boston artist Leah Piepgras likes to discover the edge between control and chaos in her paintings. In 2011 I stayed with Leah, her family and my brother in their beautiful home in Boston, where she let me have a detailed look at her studio. I discovered her artwork, which she creates with a deep honesty, always filled with a story of her own. Leah also loves to make stuff, especially functional objects. Recently she has created dinnerware and a necklace. Everything is about transformation. "I create spaces inhabited with pieces of bodies and depictions of thoughts", Leah says. "I think of the bodies in my paintings in the same way, in a constant state of becoming." With Trade Your Talent she speaks about the extremes of being, visual change and why she likes to work on several pieces at once.


What inspires you to your artwork?

I love to make stuff...The act of creating is about looking for truths, not knowing the answers along the way. My work focuses on extremes of being- the physical and the mental, anatomy and cognition.  I am interested in the moments when they overlap and where they come apart.  In paintings, I create spaces inhabited with pieces of bodies and depictions of thoughts where happiness, bliss, and euphoria are the proof of the soul.  For me, the act of painting hovers on that edge between control and chaos.

In my paintings I think of thoughts as clouds and mists, and how, before you can grasp a full idea, they float away and all you are left with is a feeling, an intention.  


I don't think of these thoughts as lost though, because they float up into the air.  I think of them in a constant state of visual change, with only the pithy truth of the idea remaining as the actual, physical, constant.  I think of the bodies in my paintings in the same way, in a constant state of becoming, with shifts so subtle that you might always feel the same and, only by looking back, do you see the transformation. 


Do you have creative blocks sometimes? 

I usually have more ideas than time! I am always working on several pieces at once and I switch in between them depending on my mood.  If I feel like I need to think about one piece I will just switch to another for a bit, but keep looking and thinking about the first piece.  Frequently I will paint a whole other painting while thinking about the first one and end up painting over it.  I destroy a lot of work because it doesn't go where I want it to.

If you could collaborate with another artist, who would you pick?

Recently, in addition to painting, I have been making functional objects.  These pieces are visualization of the form and function of the body, while also being functional objects.  The utilitarian use is the conceptual basis of the work and the user’s interaction is a daily life performance. It would be great to continue to work with manufactures and also to do work with someone like Stella McCartney or the house of Alexander McQueen.


When did you decide to become a full-time artist?

I have never thought of being anything else.  I have always known this is all I wanted to do.

Find out more about Leah's work




Monday, February 27, 2012

Dinis Mota: "Creating makes me happy"

Dinis Mota is an illustrator from Lisbon, Portugal. With tradeyourtalent he speaks about vivid colours and why creating makes him happy.

Dinis Mota, dinismota.blogspot.com/
What inspires you to your vivid colours and lively art?
We all have certain preferences, tastes and attitudes but sometimes we can’t perceive immediately why to choose certain colors. Of course you can reflect about the subject and say that color is used because it conveys joy or the other because it gives us the feeling of freshness and lightness. Even the fact of living in a sunny country may have some influence on me. However the vivid and bright colors I use in my illustrations are not a way to achieve a certain goal. The truest explanation to have a preference for brighter colors is quite unconscious. I like them, simply.

dinismota.blogspot.com/


What does inspire me? My inspiration mainly comes from contemplation of all that surrounds me and makes part of my life. Sometimes a book, a movie or just the blue sea may be the most inspiring. Other times, admiring the paintings of extraordinary painters like Hieronymus Bosch or Bruegel.

dinismota.blogspot.com


If you could plan a project with any artist in the world,who would you pick?
There are many illustrators I admire profoundly, such as Pablo Auladell, Cneut Carll, Rebecca Dautremer, among others. I wish we could work together in a project, but above all, I’d like to learn from them. I have great admiration for their incredible work.
dinismota.blogspot.com



Why did you decide to become an artist? I decided to become an artist because the act of creating gives me pleasure, makes me happy... I realized this a few years ago. It's one of the best things in life.

Thursday, February 9, 2012

Paul Madonna "Sinking feeling, burning need"


  "There's only the sun and a feeling ... ... that you're simultaneously doing all the right things ... and completely wasting your life."

When I read this quote and looked at Paul Madonna's beautiful pen-and-ink style I was mesmerized - Paul Madonna writes and draws the weekly series  All Over Coffee, which is published in the San Francisco Chronicle and SFGate.com, and Small Potatoes for TheRumpus.net. He is the author of two books, All Over Coffee (City Lights 2007), and Everything is its own reward (City Lights 2011), which won the NCBR Recognition Award for Best Book in 2011. I discovered his work through my last interview with Ester Wilson. I was really indecisive when I had to choose work to go along with this interview - this is why I really recommend for you to stroll over to his site paulmadonna.com and have a look around. He observes cities like no one else can - each pencil stroke filled with devotion and passion to the detail.


paulmadonna.com
What inspires you to your work? 
Paul Madonna: A sinking feeling, and a burning need to contribute to society. 
When did you decide to become a full-time artist? 
Paul Madonna: The decision to be a full time artist happened before I was conscious enough to know it. In practice, I have been a full time artist all of my adult life, but for many years I had to be a part time employee at jobs to support being a full time artist. And professionally, I've been supporting myself on my own work for eight years now.


paulmadonna.com
 If you could collaborate with another artist, who would you pick?
Paul Madonna: I've actually been doing a series of published collaborations with professional writers. Those can be found here, and there are more in the works, all with people I'm excited to work with. One person I would love to work with though is Argentine write Cesar Aira, and I've been meaning to write him for over a year, but I just haven't. I don't know why.

paulmadonna.com
paulmadonna.com
paulmadonna.com
paulmadonna.com

Saturday, February 4, 2012

Ester Wilson "Watching art happen"

Ester Wilson is an artist from Atlanta, Georgia. With tradeyourtalent she speaks about letting your imagination run wild and why she can't imagine a life without creating. 
esterwilson.blogspot.com
What inspires you most when you work on a piece of art ? 
I'm inspired by the creative process itself. Making a drawing or a painting usually starts with a small thought, or one basic feeling that I'd like to see come alive. The feeling grows and becomes more exciting as decisions are made in the process, leading to a stronger conviction about where I'd like to take the work. In a way, the artwork seems to draw itself and I am just watching it happen. It resembles playing as a kid, letting your imagination run wild and knowing that anything you can dream up is valid and acceptable: playing was exciting and it grew on its own... art is the same way, in my mind - it's fun and self-inspiring.

Your work is very colourful and full of energy. Has art always been your passion?
Very much so. My mom often jokes about how she never worried about me as a child, because I was fine to spend all day in my room with paper and pencil, no need for anything more. I can't imagine a life without creating.

For more art work by Ester Wilson visit 

Wednesday, January 18, 2012

Sirio Magnabosco: "A Series of Unexpected Meditations"

In his study "3.3 billion" the Italian photographer Sirio studied the relationship between people and the presence of nature inside cities. I like the way he portrays one person in contrast to a vast scenery. Sirio attended the Joop Swart Masterclass in Amsterdam, you can see more of his photos in this book.  He currently lives in Berlin.

Sirio, http://www.mrsirio.com/

Sirio, http://www.mrsirio.com/

Sirio, http://www.mrsirio.com/

Sirio, http://www.mrsirio.com/

Sirio, http://www.mrsirio.com/

Thursday, December 29, 2011

"Escape from this world"

http://www.gemini.illustrateur.org
Gemini is a French illustrator who loves lemon pie and old good musicals. With tradeyourtalent she speaks about growing up in a small village and why glamourous ladies inspire her. 

What inspires you when you create your art? 

I would say that my art is inspired by what I see, or what i hear. It sounds very girlish, but I like painting and drawing pretty things, glamourous ladies. I grew up with old american musicals, and while I was a kid I thought when I will become a woman I will look like these beautiful actresses from the 50's, so I think I want to  keep a little of this gold time in my art. 

http://www.gemini.illustrateur.org
Why is art your passion? 

When I was a little girl we were living with my sister and my parents in a small village and we didn't have anything to do outside (and I must add we were living in Normandy, so for those who don't know-  the weather is the same as in England). Luckily my grandparents were printers so we had all the paper we wanted for free. And step by step it became the only way we had to escape from this world.



If you could work together with a famous artist, who would you pick? 

I think I would like to work with the "father" of all these movies which gave me the desire to become an artist and  gave me so many happy moments:  Glenn Keane. 


For more by Gemini please visit: 
http://www.gemini.illustrateur.org

Monday, December 5, 2011

In Memory of Dana Maor

I started this blog one year ago - many of you know that I decided to do this because I lost a very dear friend of mine due to a tragic accident. Dana Maor was an amazing artist and this is why I decided to go on a journey, partly to remain close to her but I also had a sudden urge to find out what really inspires artists, how they create their artwork and why they decide to pursue their dreams every single day.

It was Dana's birthday in November and this is why her family and friends created a beautiful exhibition for her in Israel. I would like to show you her artwork and talent. These are photos taken from this exhibition with her artwork, and art that her friends created. Most of the artwork on the photos is hers, except when you see someone painting in the picture.









































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